Nouvelle Noire is calling this type family Forever Grotesk, celebrating a desire to keep just a tiny bit of the spirit of the original meaning “Grotesque” alive for years to come. The designers have searched for shapes that are simple and which encourage the designer to create amazing things-and by the way make other people smile. They didn’t want to design yet another “neutral” typeface. It took them some time to find a perfect form that fills the gap between simplicity and neutrality. Seventy years after the start of this success story, Nouvelle Noire is ready to make a contribution to this ensemble of outstanding type families. Even so, over the years many amazing contributions have come in the form of Haas Unica, Theinhard Grotesk, and Akkurat, just to name a few. Since then the world hasn’t lost its appetite for Swiss Style Grotesque typefaces. In parallel, Adrian Frutiger published “Univers,” both globally recognized and becoming standard choices for designers.
#Akzidenz grotesk typeface classification pro#
Family: Akzidenz-Grotesk Pro Ext Subfamily: Regular Identifier: Berthold: Akzidenz. In the 1950s Max Miedinger created the first Swiss version of those typographic multi-talents, named “Neue Haas Grotesk” (today Helvetica). AkzidenzGroteskPro-Ext Copyright: Copyright 2006, 2007 Berthold LLC. However, Akzidenz-Grotesks hot metal type family included fonts made a range of foundries to slightly different designs, such as the c. Typographic specimen - Akzidenz-Grotesk book editorial design font. The success story of the Grotesque typefaces began at the dawn of the 20th century with typographic workhorses such as Akzidenz Grotesk, Stein Grotesk, amongst others. The design of Akzidenz-Grotesk has been theorized to be derived from Walbaum or Didot, as demonstrated by the similar font metrics when the serifs are removed. Designed as an all-caps typeface in 1927 by Morris Fuller Benton for ATF, it was expanded two years later with a lower case designed by Sol Hess, who also drew the inline version, Broadway Engraved. MyFonts Feature: My Favorite 5 akzidenz grotesk antique olive compacta din favorite 5. Although it never reached the heights of popularity that Akzidenz Grotesk has over the years, Monotype Grotesque has been used by many and is surprisingly good. To nick, thanks for your comments, although i feel slightly more comfortable with this definition?Īlthough i do wonder why the British Grotesques developed those certain characteristics, such as the slightly concave endings and contrasting thicks and thins?Īnybody got a theory on this.We are presenting our Typeface of the Month: Forever Grotesk by Nouvelle Noire, their contribution to the category of Swiss Grotesque typefaces. But today is used more as an umbrella term for what the British might call (or Wiki) the Sans-serif category. I managed to track down an earlier definition taken from Wikipedia in 2007 which clearly puts Helvetica and Univers in the Neo-grotesque category, this seems to be a little more logical now.įor those of you raising the Grotesque v Grotesk issue it seems the German term Grotesk originally stems from the British word Grotesque (definite origins slightly cloudy).